Dodge and Burn Baby

As a fairly pedantic artist I'm on a mission to create a series of images, created in just a few hours every week. Last week saw 'Emerge' this week's offering is 'After Erin' (click the image to see a larger version).

A lazy Sunday afternoon saw me monoprinting in the August sunshine with a variety of materials including random papers, oil paints, acrylics, Indian ink and a lot of water. The results were pretty nice textures perfect for 'Photoshopping'. I'm addicted to finding a variety of textures, patterns, photos etc for use in my digital collages. No matter how simple the image, the subtle addition of a found texture can add a definite depth.

I wanted an almost 'chiaroscuro' effect but with loads of white space to create something that was still very clean. Taking four elements, a pen and ink drawing from my sketchbook, a photo, a pattern (in this case a vector pattern I drew in Illustrator) and a monoprint I set to work last night conducting another Photoshop experiment. Armed with my Wacom Intuit A5 Tablet, the kids plonked in front of Star Wars, I set to work.




I'll be teaching Photoshop this Autumn at Sussex Downs college so I'm also focusing on various tools each week. The past few weeks have seen me experimenting with Photoshop Channels but as a painter I wanted to use my tablet for well um... a more painterly purpose. Intuitively this has led me to the smudge, blur, dodge and burn tools.

Working in a structured manner designing websites, over the years has made me a little stale and reluctant to leave my comfort zone. Like many Photoshop users I'm a big fan of blending modes in the layers palette to create the depth of effect I've wanted and also with looming deadlines, they always offered the quickest results. However I've found the dodge, burn, blur and smudge tools have been an excellent way to create subtlety in specific areas (this week, especially the around the eyes) and have whet my appetite to consider creating an entire painting in Photoshop...we'll see...

Anyway, if you are used to working with paint, chalks, pastels etc these Photoshop tools offer the flexibility that you would have with traditional materials ie using your fingers to smudge or blend a line, and more. Dodge and Burn will lighten or darken an area without altering its underlying marks or composition. The sharpen tool, whilst useful can sometimes leave areas a little pixelated.

Moving beyond the familiar and working in a new way has been quite liberating and set my mind alive with new ideas. Looking for new elements to include in images has suddenly made the everyday pretty interesting. As always with Photoshop, experimentation is the key and corny as it sounds, my best discoveries have been my mistakes.

Excellance in Beauty

A printed newsletter commissioned by my lovely friend (and super fantastic therapist!) Lorraine. A font of beauty knowledge, Lorraine's advice, recommendations and obvious passion is indispensable to all self respecting females (and males) out there. Click the image to read some super top tips for a bikini confident body this summer.

Produced in InDesign CS3.

Emerge - latest Photoshop experimental offerings

Beaded Lady

Following on from a previous post, I decided to paint this in the end. Indulged my pedantic side and stuck on every bead and button by hand...
Mixed media, (acrylic and oil on canvas, beads, buttons and suede)

Art & Wine - Join Me

Shameless promotion of a great day out...

Art & Wine Workshop

Ah Art and wine, Napa does it so well and who hasn't enjoyed that moment of divine inspiration after a Chablis or two? So EVT decided it was time the UK explored the vineyards artistically speaking except I decided to go as a punter and fellow artist on the first Sussex Art & Wine Workshop to Carr Taylor Vineyards.

After meeting with the most delightful group of ladies you could hope to on the tour, Dave our guide from Carr Taylor gallantly showed us the vines, winery and shared a joke or two whilst tasting 6 wines from the estate (if you're ever in the vicinity, ask about the Pinot More...)

After a yummy ploughman's lunch with a glass of sparkly surrounded by the vines we spent an inspirational afternoon with artist Katie Sollohub. An amazing colourist, Katie's laid back approach to making art was incredibly playful (and I'm someone who can be somewhat tight with work), but by the end of the day we were tearing, dabbing, sticking, and spattering in response to the tastes of the wine and amazing scenery in the vineyard. We drew inspiration from Kandinsky, Hodgkin, Sisley amongst others for their mark making and colour interpretations.Using three different materials we warmed up making a large mark, long line and small mark, each in a different material. We worked like this for a while and then ripped it up! Using the pieces as starting point we stuck a couple of these pieces (some from other peoples work) onto a clean sheet and started to work more from the landscape this time. The results were beautiful - fresh, dynamic and colourful. I'm terrified of colour usually but I came away with a new sense of colour confidence.Coming home, I tried the exercise with my children 5 & 7 and was astounded by the results especially by my 5 year old. Laying down marks in a variety of materials and colour and allowing yourself to just see what happens is incredibly liberating. Working in design and in the constraints of the digital environment I really enjoyed this exercise.

The vines have flower set now, the precursor to bud-set - that's when the grapes start appearing to you and me. In 2 to 3 months they will be ready for picking and in quite a few months after, ready for drinking. I plan to repeat this exercise drinking the wine that was made by the very grapes and vineyard that provoked my creative juices to start flowing once more.

PS Thanks to Ben for being Gofer for the day and the additional glass of wine or 2 :)

PS: Crossing the Channel

For some reason, in all my years of using Photoshop, I've never truly explored and exploited the power of channels and masks within Photoshop - a mental block of some sort I guess. However I've conquered this fear and quite frankly I'm hooked. From isolating complex images (in this case bones, feathers and hair) to using a soft brush to subtly mask out areas resulting in more naturally blended elements, this work in progress has enlightened me to yet another powerful Photoshop feature.